Arnheim, Rudolph. "Film and Reality." Film Theory and Criticism, 4th ed. Ed Gerald Mast, Marshall Cohen and Leo Braudy. Oxford: Oxford University Press, 1992. 268-271.
Bazin, Andre. "The Myth of Total Cinema." FT and C. 34-37.
Bazin, Andre. "De Sica: Metteur-en-scene." FT and C. 38-47.
Benjamin, Walter and Arnheim, Rudolph. "On Charlie Chaplin." trans. John Mackay. Yale Journal of Criticism 9 (1996) 309-314.
Bessy, Maurice. Charlie Chaplin. New York: Harper, 1985.
Cavell, Stanley. Excerpt from The World Viewed. FT and C. 291-301.
Chaplin, Charles. My Autobiography. New York: Simon and Schuster, 1964.
Cooney, Terry. Balancing Acts : American Thought and Culture in the 1930s New York : Twayne Publishers, 1995.
Deren, Maya. "Cinematography: The Creative Use of Reality." FT and C. 59-70.
Gifford, Denis. Chaplin. London: Macmillan, 1974.
Gunning, Tom. Rev. of Chaplin and American Culture: The Evolution of a Star Image, by Charles J. Maland. Film Quarterly 43.3 (1990): 41-3.
Kuriyama, Constance Brown. "Chaplin's Impure Comedy: The Art of Survival." Film Quarterly 45.3 (1992): 26-38.
Lemaster, David J. "The Pathos of the Unconscious: Charlie Chaplin and Dreams." Journal of Popular Film and Television 25.3 (1997): 110-117
Maland, Charles J. Chaplin and American Culture: The Evolution of a Star Image. Princeton: Princeton University Press, 1989.
Panofsky, Erwin. "Style and Medium in the Motion Pictures." FT and C. 233-248.
Robinson, David. Chaplin: His Life and Art. London: Collins, 1985.
Sarris, Andrew. Rev. of Charlie Chaplin and His Times, by Kenneth S. Lynn. New York Times Book Review 30 Mar. 1997: 6.
Susman, Warren. Culture as History: the Transformation of American Society in the Twentieth Century. New York: Pantheon, 1984.
Wood, Michael. "Perseverence to the Point of Madness." Rev. of Charlie Chaplin and His Times, by Kenneth S. Lynn and Tramp: The Life of Charlie Chaplin, by Joyce Milton. New York Times Review of Books 17 Jul. 1997: 7-9.
Chaplin, Charles, perf. Kid Auto Races at Venice. Dir. Henry Lehrman. Keystone, 1914.
Chaplin, Charles, dir. A Busy Day. Perf. Chaplin, Mack Swain and Phyllis Allen. Keystone, 1914.
Chaplin, Charles, dir. Mabel's Married Life. Perf. Chaplin and Mabel Normand. Keystone, 1914.
Chaplin, Charles, dir. The Kid. Perf. Chaplin, Edna Purviance and Jackie Coogan. First National, 1921.
Chaplin, Charles, dir. The Idle Class. Perf. Chaplin, Edna Purviance and Mack Swain. First National, 1921.
Chaplin, Charles, dir. Pay Day. Perf. Chaplin, Phyllis Allen, Mack Swain and Edna Purviance. First National, 1922.
Chaplin, Charles, dir. A Woman of Paris. Perf. Edna Purviance, Adolphe Menjou, Carl Miller and Lydia Knott. United Artists, 1923.
Chaplin, Charles, dir. The Gold Rush. Perf. Chaplin, Georgia Hale, Mack Swain and Tom Murray. United Artists, 1925, 1942.
Chaplin, Charles, dir. City Lights. Perf. Chaplin, Virginia Cherrill and Harry Myers. United Artists, 1931.
Chaplin, Charles, dir. Modern Times. Perf. Chaplin and Paulette Goddard. United Artists, 1936.
Chaplin, Charles, dir. The Great Dictator. Perf. Chaplin and Paulette Goddard. United Artists, 1940.
Chaplin, Charles, dir. Monsieur Verdoux. Perf. Chaplin, Martha Raye and Marilyn Nash. United Artists, 1947.
Chaplin, Charles, dir. Limelight. Perf. Chaplin, Claire Bloom and Sydney Chaplin. United Artists, 1952.
An Index of Chaplin resources on the Web can be found at The Silents Majority
designed and created by Claudia
for the America in the 1930's project
American Studies at the University of Virginia