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• Brawley, Benjamin. The Negro Genius. New York: Dodd, Mead, and Company, 1972

• Brock, H.I. "The Full, True Flavor of Life in a Negro Community." New York Times Book Review (November 10, 1935).

• Brown, Sterling. "Review of Mules and Men."Nation 145 (October, 1937).

• Ford, Nick Aaron. "A Study in Race Relations: A Meeting with Zora Hurston." Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.7-10.

• Gannett, Lewis. "Review of Mules and Men." New York Herald Weekly Book Review (October 11, 1935).

• Gates, Henry Louis. The Signifying Monkey: A Theory of African -American.New York: Oxford University Press,170-216.

• Hemenway, Robert. Zora Neale Hurston: A Literary Biography. Illinois: University of Illinois Press, 1980.

• Hughes, Langston. The Big Sea. New York: Hill and Wang, 1993.

• Hurston, Zora Neale "Art and Such."u>Go Gator and Muddy the Water: Writings By Zora Neale Hurston for the Federal Writers Project. Pamela Bordelon, Ed. New York: Norton Publishers, 1999.

• Hurston, Zora Neale."Color Struck." FIRE!! 1(November 1926):7-14.

• Hurston, Zora Neale. "Characteristics of Negro Expression." Within the Circle: An Anthology of African American Literary Criticism from The Harlem Renaissance to the Present. Angelyn Mitchell, Ed. North Carolina: Duke University Press, 1994,79-96.

• Hurston, Zora Neale. "Drenched in Light." Zora Neale Hurston : The Complete Stories. Henry Louis Gates and Sieglinde Lemke, Eds.

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• Hurston, Zora Neale. "The Eatonville Anthology." Messenger, 8 (Sept., Oct., and Nov., 1926) 261-262, 297,319,334.

• Hurston, Zora Neale. "Go Gator and Muddy the Water." Go Gator and Muddy the Water: Writings By Zora Neale Hurston for the Federal Writers Project. Pamela Bordelon, Ed. New York: Norton Publishers, 1999.

• Hurston, Zora Neale. "How it Feels to be Colored Me." World Tomorrow, 11 (May, 1928) 215-216.

• Hurston, Zora Neale. Mules and Men. Philadelphia: Lippincott Publishers, 1935.

• Hurston, Zora Neale. "Sweat." FIRE!! 1(November 1926): 40-45.

• Johnson, Barbara. "Thresholds of Difference: Structures of Address in Zora Neale Hurston." Critical Inquiry 12 (Autumn 1985) 66-81.

• Miesenhelder, Susan. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston. Alabama:University of Alabama Press, 1999.

• Thurman, Wallace. Infants of the Spring. New York: Modern Library, 1999.

• Walker, Alice. "A Cautionary Tale and A Partisan View." Zora Neale Hurston. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.63-70.

• Walker, Alice. "Looking for Zora." I Love Myself When I am Laughing and Then Again When I am Looking Mean and Impressive. Ed. Alice Walker. New York: The Feminist Press, 1979:297-312.

• Walker, Alice."On Refusing to Be Humbled By Second Place in a Contest You Did Not Design: A Tradition By Now." I Love Myself When I am Laughing and Then Again When I am Looking Mean and Impressive. Ed. Alice Walker. New York: The Feminist Press, 1979: 1-5.

• Washington, Mary Helen." Zora Neale Hurston a Woman Half in Shadow." I Love Myself When I am Laughing and Then Again When I am Looking Mean and Impressive. Ed. Alice Walker. New York: The Feminist Press, 1979: 7-24.

• Williams, Vernon J. Rethinking Race: Franz Boas and His Contemporaries. Kentucky: UP, 1996.

• Wright, Richard. "Between Laughter and Tears: A review of Their Eyes Were Watching God." Nation (October 5, 1937).