CHARLES SHEELER & PHOTOGRAPHIC MYTH |
ContentsHome | 1917--Doylestown | 1920--New York City | 1927--Ford, River Rouge | 1929--Chartres Cathedral | Conclusion | Bibliography |
Sheeler -- Chartres Cathedral, 1929A Pictorial Essay, with quotations from Charles Sheeler
All Nature has an underlying abstract structure and it is within the province of the artist to search for it and to select and rearrange the forms for the enhancement of his design. It is also within the province of the photographer to seek the sa me underlying abstract structure and, having found it to his satisfaction, to record it with his camera, with an exactitude not to be achieved through any other medium.
The result is an image which has passed through a lens and having been projected upon a sensitized emulsion makes an inalterable record of the thing seen.
Where is the increase in spirituality to be found?
I only know of two instances where use of one eye is adequate for the occasion--looking through a camera at a given subject and looking down a rifle barrel at the target. Both one and the same in principle.
I like to think that operating on alternating current is the only desirable basis.
|
ContentsHome | 1917--Doylestown | 1920--New York City | 1927--Ford, River Rouge | 1929--Chartres Cathedral | Conclusion | Bibliography |