Charles Sheeler from postcard


CHARLES SHEELER
&
PHOTOGRAPHIC
MYTH



Contents

Home | 1917--Doylestown | 1920--New York City | 1927--Ford, River Rouge | 1929--Chartres | Conclusion | Bibliography





Bibliography

Ashfield, Andrew, and Peter de Bolla (editors). The Sublime: a reader in British eighteenth-century aesthetic theory. Cambridge: Cambridge University Press, 1998.

Fjellman, Stephen M. Vinyl Leaves: Walt Disney World and America. Boulder: Westview Press, Inc., 1992.

Hofstadter, Richard. The Age of Reform. New York: Vintage Books, 1955.

Lucic, Karen. Charles Sheeler and the Cult of the Machine. London: Reaktion Books, Ltd., 1991.

Marx, Leo. The Machine in the Garden. New York: Oxford University Press, 1978.

National Collection of Fine Arts. Charles Sheeler. City of Washington: Smithsonian Institution Press, 1968.

Orvell, Miles. After the Machine: Visual Arts and the Erasing of Cultural Boundaries. Jackson: University Press of Mississippii, 1995.

Stebbins, Theodore E. and Norman Keyes. Charles Sheeler: The Photographs. Boston: Museum of Fine Arts, 1987.

Wilson, Richard Guy, Dianne H. Pilgrim, and Dickran Tashjian. The Machine Age in America, 1918-1941. New York : Brooklyn Museum in association with Abrams, 1986.



A special thanks to Judy Kinnard at UVA's School of Architecture for allowing me to borrow several out-of-print and valuable books on Sheeler.





Contents

Home | 1917--Doylestown | 1920--New York City | 1927--Ford, River Rouge | 1929--Chartres | Conclusion | Bibliography


Created by Michael Kidd as a project of the
American Studies
MA program at the
University of Virginia.