Throughout the home is much evidence attesting to Spencer's writing and place as a woman of considerable stature within the black community of Lynchburg. In the kitchen, a poem is painted on the wall. This complements well the very real features of the home, like the phone numbers scrawled upon the walls near the telephone. It is a lovely grounding feature. Not all writers are poised upon a mountaintop composing as the landscape reveals itself before them. They are very real people going through very real struggles. Wilson emphasized in her tour that Spencer was a grounded woman known for calling others out for their elitism (including frequent guest W.E.B. DuBois), and it is easy to recognize this while visiting her expansive but quite humble home on a double lot in Lynchburg. That double lot gave Spencer the ability to cultivate an extensive garden, on which Wilson and other volunteers were working when I visited 1313 Pierce street. In the backyard stands Edankrall, Anne's little garden cabin, in which she wrote and thought. Although her poems were published in various venues throughout the 1920s, including The Crisis, figures like James Weldon Johnson and Langston Hughes wished that she would more actively seek publication. She focused instead on her home and garden, her son Chauncey, who would go on to help form the Tuskegee airman, her husband and their constant entertaining of visiting dignitaries to the Lynchburg Seminary. Touring through the home provides visitors with the ability to see how Spencer would have balanced these obligations. The organization taxed with its upkeep, like many sites, welcomes any financial or volunteer assistance. SITE NAME COMMEMORATED BY
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