Capra, Frank. The Name Above the Title (New York: The Macmillan Company) 1971.
Carney, Raymond. American Vision: The Films of Frank Capra (Cambridge: Cambridge University Press) 1986.
"Columbia's Gem" Time August 8, 1938.
Dickstein, Morris. "It's a Wonderful Life, but..." American Film May 1980.
Diski, Jenni. "Curious Tears" Sight and Sound August 1992.
Edgerton, Gary. "Capra and Altman: Mythmaker and Mythologist" Literature Film Quarterly no.1, 1983.
Emerson, Ralph Waldo. Representative Men (Joseph Simon) 1980 ed. Also available digitally at UVA American Studies.
Glatzer, Richard and John Raeburn, eds. Frank Capra: The Man and His Films (Ann Arbor: The University of Michigan Press) 1975.
Gehring, Wes. Populism and the Capra Legacy (Westport, Connecticut: Greenwood Press) 1995.
Gewen, Barry. "It Wasn't Such a Wonderful Life," New York Times Book Review May 3 1992, 3.
Jameson, Richard. "The Lighthouse" Film Comment no.1, 1982.
Johnston, Alva. "Capra Shoots as He Pleases," Saturday Evening Post May 14, 1938.
Maland, Charles. Frank Capra (Boston: Twayne Publishers) 1980.
Mather, Cotton. Magnalia Christi Americana Kenneth B. Murdock, ed. (Cambridge, Massachusetts: Harvard University Press) 1977 ed.
McBride, Joseph. Frank Capra: The Catastrophe of Success (New York: Simon and Schuster) 1992.
Niebuhr, Reinhold. "Where Have We Been? Where Are We Going?" The Irony of American History New York, 1952. Accessed digitally (UVA only) at http://xroads.virginia.edu.
Roosevelt, Theodore and Henry Cabot Lodge. Hero Tales From American History (New York: The Century Company) 1895.
Rourke, Constance. "The Gamecock in the Wilderness," from Americaan Humor: A Study of the National Character, accessed digitally (UVA only) at http://xroads.virginia.edu.
Santayana, George. "Materialism and Idealism in American Life," accessed digitally (UVA only) at http://xroads.virginia.edu.
Scherle, Victor and William Turner Levy. The Films of Frank Capra (Secaucus, New Jersey: The Citadel Press) 1977.
Sklar, Robert. Movie Made America: A Cultural History of the American Movies (New York: Vintage Books) 1975.
Stricker, Frank. "Repressing the Working Class: Individualism and the Masses in Frank Capra's Films" Labor History no.4, 1990.
Wecter, Dixon. The Hero in America: A Chronicle of Hero-Worship (New York: Charles Scribner's Sons) 1941.
Willis, Donald. The Films of Frank Capra (New York: Scarecrow Press) 1974.
Wolfe, Charles ed. Meet John Doe (New Brunswick, New Jersey: Rutgers University Press) 1989.
1921-22: Fultah Fisher's Boarding House, Pathe.
1926: The Strong Man, First National Pictures. Capra's first job directing Harry Langdon.
1927: Long Pants, First National Pictures. Capra's last job directing Harry Langdon.
1927: For the Love of Mike, First National Pictures. Commercial failure, but Capra's first film featuring Claudette Colbert.
1928: That Certain Thing, Columbia. The beginning of Capra's partnership with cameraman Joseph Walker.
1928: So This is Love, Columbia.
1928: The Matinee Idol, Columbia.
1928: The Way of the Strong, Columbia.
1928: Say It With Sables, Columbia.
1928: The Power of the Press, Columbia.
1928: Submarine, Columbia. Capra's first film with actor Jack Holt; Capra's first film with sound.
1929: The Younger Generation, Columbia.
1929: The Donovan Affair, Columbia.
1929: Flight, Columbia.
1930: Ladies of Leisure, Columbia. Barbara Stanwyck's first major film role; Capra's first partnership with screenwriter Jo Swerling.
1930: Rain or Shine, Columbia.
1931: Dirigible, Columbia.
1931: The Miracle Woman, Columbia. Based on a play coauthored by Capra's future collaborator, Robert Riskin.
1931: Platinum Blonde, Columbia. Robert Riskin's first screenwriting credit in a Capra film.
1932: Forbidden, Columbia. Unsuccessful film based on a story of Capra's.
1932: American Madness, Columbia.
1933: The Bitter Tea of General Yen, Columbia.
1933: Lady For a Day, Columbia. First Capra film to earn Academy Award nominations.
1934: It Happened One Night, Columbia. Won five Academy Awards: Best Picture, Director, Writer, Actor, Actress.
1934: Broadway Bill, Columbia.
1936: Mr. Deeds Goes to Town, Columbia. Capra's first film with Jean Arthur and Gary Cooper.
1937: Lost Horizon, Columbia.
1938: You Can't Take It With You, Columbia. First appearances by Jimmy Stewart, Edward Arnold, and Lionel Barrymore in a Capra film.
1939: Mr. Smith Goes to Washington, Columbia.
1941: Meet John Doe, Capra and Riskin's independent production, financed and distributed through Warner Brothers.
1944: Arsenic and Old Lace, Warner Bros.
1942-1946: Why We Fight Series, 834th Signal Service Photographic Detachment, Special Services Division, U.S. Army. Includes Prelude to War, The Nazis Strike, Divide and Conquer, The Battle of Britain, Substitution and Conversation, Know Your Ally Britain, The Battle of Russia, The Negro Soldier, Tunisian Victory, The Battle of China, War Comes to America, Your Job in Germany, Two Down and One to Go!, On to Tokyo, Know Your Enemy--Japan, Here is Germany, Our Job in Japan. No individual directing credits were listed on the screen; Capra directed, supervised, or contributed to the screenwriting of all the films mentioned above.
1946: It's a Wonderful Life, Liberty Films/RKO
1948: State of the Union, Liberty Films/MGM
1950: Riding High, Paramount. Remake of Broadway Bill.
1951: Here Comes the Groom, Paramount.
1956-58: AT&T Science Series, CBS-TV/Bell Telephone. Programs included Our Mr. Sun, Hemo the Magnificent, The Strange Case of the Cosmic Rays, The Unchained Goddess.
1959: A Hole in the Head, United Artists. Capra shared production credit with Frank Sinatra, the film's star.
1961: Pocketful of Miracles, United Artists. Remake, co-produced with star Glenn Ford, of Lady for a Day.