Abastenia St.
Eberle White Slave
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Gallery A American Sculpture and
Decorative Art Another artist who translated Ashcan principles
into sculpture was
Abastenia St. Eberle. Eberle was so taken with immigrant life on
Manhattan's
Lower East Side that in 1914 she set up two rooms, one for
a studio, the other for a recreational area for the tenement children. Her rooms took on the character of a settlement house, the most famous of which was Jane Addams' Hull House in Chicago.Eberle's
White Slave (left) drew an investigation
during the Armory Show
by
a
Chicago censure committee for its open portrayal of the sex industry.
At the time of the Armory Show, there were a number of American organizations set up to
eradicate prostitution: the National Vigilance
Committee, the American Purity Federation, and the Alliance for the
Suppression and Prevention of the White Slave Traffic, among
others (Casteras 33). However, some felt Eberle's model was "too realistic a portrayal of
greed and lust;
the seamy side of life was still deemed inappropriate for
sculpture." (Fort 78) Eberle,
unlike many Ashcan painters, did not study with Robert Henri but
with Kenyon Cox, one of strongest opponents to many of
the works shown at the Armory Show. continue
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