Southern cartoons delighted in humiliating Lincoln as well. However, their opportunities for publishing these cartoons were not as frequent as their Northern counterparts. Kristen Smith expands on this point, explaining that “Readers will notice a marked difference in style between the cartoons from the illustrated weekly newspapers in the North and those in the South. Northern cartoons are mostly well executed and have a sensibility similar to political cartoons today. The Southern cartoons…are crudely drawn, and the ideas are often not as well crafted as their Northern counterparts” (xvii). She points out that the main reasons for this distinction included the lack of established publishing in the South, as well as the lack of publishing supplies.
There was one Southern sympathizer whose cartoons stood out amongst his peers for their wit and intelligence. John Adalbert Volck authored cartoons during the Civil War from his home in Baltimore under the nom de plume “V. Alda.” His cartoon entitled “Slaves Concealing their Master from a Search Party” portrays the slaves themselves as desirous to protect Southern culture. The cartoon depicts an anxious slave owner being protected by his slaves, while a Union search party waits outdoors. The rest of the slave family is shown as fearful and upset by the appearance of the Union soldiers, as if they had disturbed a peaceful way of life for the slaves. One important feature to note about this cartoon is the high caliber of the slave quarters: they live in a single family home complete with furniture, fireplace, and plenty of food. Had Volck drawn poorer living conditions for the slaves, this cartoon could have taken on an entirely different meaning.
Volck attacked the abolitionist movement in the North, declaring it to be ineffectual and tragic. His cartoon entitled “Free Negroes in the North” portrays a freed slave living in squalor in a large city. White men and women lead their own lives, ignoring the pauper’s pleas for help. Only one man gives the former slave any money for survival. This cartoon questions Northern motives of abolition by expressing concern over what will happen to the slaves once they are free. This question would hang in the minds of Americans in the decades to come.
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