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Mules and Men

Chapter 7

  1. Kitty Brown
  2. Ritual-Ceremonial Dance to Put Away a Man
  3. Ritual-To Make Love Stronger
  4. Ritual-To Bring Love Back
  5. Ritual-To Rule the Man You Love

KITTY BROWN is a well-known hoodoo doctor of New Or leans, and a Catholic. She liked to make marriages and put lovers together. She is squat, black and benign Often when we had leisure, she told funny stories. Her herb garden was pretty full and we often supplied other doctors with plants. Very few raise things since the supply houses carry about everything that is needed. But sometimes a thing is wanted fresh from the ground. That's where Kitty's garden came in.

When the matter of my initiation came up she said, "In order for you to reach the spirit somebody has got to suffer. I'll suffer for you because I'm strong. It might be the death of you.

It was in October 1928, when I was a pupil of hers, that I shared in a hoodoo dance. This was not a pleasure dance, but ceremonial. In another generation Affican dances were held in Congo Square, now Beauregard Square. Those were held for social purposes and were of the same type as the fire dances and jumping dances of the present in the Bahamas. But the hoodoo dance is done for a specific purpose. It is always a case of death?to?the?enemy that calls forth a dance. They are very rare even in New Orleans now, even within the most inner circle, and no layman ever participates, nor has ever been allowed to witness such a ceremony.

This is how the dance came to be held. I sat with my teacher in her front room as the various cases were disposed of It was my business to assist wherever possible, such as running errands for materials or verifying addresses; locating materials in the various drawers and cabinets, undressing and handling patients, writing out formulas as they were dictated, and finally making "hands"! At last, of course, I could do all of the work white she looked on and made corrections where necessary.

This particular day, a little before noon, came Rachael Roe. She was dry with anger, hate, outraged confidence and desire for revenge. John Doe had made violent love to her; had lain in her bed and bosom for the last three years; had received of Rachael everything material and emotional a woman can give. They had both worked and saved and had contributed to a joint savings account. Now, only the day, before yesterday, he had married another. He had lured a young and pretty girl to his bed with Rachael's earnings; yes. Had set up housekeeping with Rachael's sweat and blood. She had gone to him and he had laughed at his former sweetheart, yes. The police could do nothing' no. The bank was sorry, but they could do nothing, no. SO Rachael had come to Kitty.

Did she still love her John Doe? Perhaps; she didn't know. If he would return to her she should strive to forget, but she was certain he'd not return. How could hO But if he were dead she could smile again, yes?could go back to her work and save some more money, yes. Perhaps she might even meet a man who could restore her confidence in menfolk.

Kitty appraised her quickly. "A dance could be held for him that would carry him away right now, but they cost something."

"How much?"

"A whole lot. How much kin you bring me.

"I got thirty-seven dollars."

"Dat ain't enough. Got to pay de dancers and set de table."

One hundred dollars was agreed upon. It was paid by seven o'clock that same night. We were kept very busy, for the dance was set from ten to one the next day, those being bad hours. I ran to certain addresses to assemble a sort of college of bishops to be present and participate. The table was set with cake, wine, roast duck and barbecued goat.

By nine-thirty the next morning the other five participants were there and had dressed for the dance. A dispute arose about me. Some felt I had not gone far enough to dance. I could wait upon the altar, but not take the floor. Finally I was allowed to dance, as a delegate for my master who had a troublesome case of neuritis. The food was being finished off in the kitchen.

Promptly on the stroke of ten Death mounted his black draped throne and assumed his regal crown, Death being represented by a rudely carved wooden statue, bust length. A box was draped in black sateen and Kitty placed him upon it and set his red crown on. She hobbled back to her seat. I had the petition and the name of the man written on seven slips of paper?one for each participant. I was told to stick them in Death's grinning mouth. I did so, so that the end of each slip protruded. At the command I up?ended nine black tapers that had been dressed by a bath in whiskey and bad vinegar, and bit off the butt end to light, calling upon Death to take notice. As I had been instructed, I said: "Spirit of Death, take notice I am fixing your candles for you. I want you to hear me." I said this three times and the assembly gave three snaps with the thumb and middle finger.

The candles were set upside down and lighted on the altar, three to the left of Death, three to the right, and three before him.

I resumed my seat, and everyone. was silent until Kitty was possessed. The exaltation caught like fire. Then B. arose drunkenly and danced a Pew steps. The clapping began lightly. He circled the room, then prostrated himself before the altar, and, getting to his hands and knees, with his teeth pulled one of the slips from the jaws of Death. He turned a violent somersault and began the dance, not intricate, but violent and muscle?twitching.

We were to dance three hours, and the time was divided equally, so that the more participants the less time each was called upon to dance. There were six of us, since Kitty could not actively participate, so that we each had forty minutes to dance. Plenty of liquor was provided so that when one appeared exhausted the bottle was pressed to his lips and he danced on. But the fury of the rhythm more than the stimulant kept the dancers going. The heel?patting was a perfect drum rhythm, and the hand clapping had various stimulating breaks. At any rate no one fell from exhaustion, though I know that even 1, the youngest, could not have danced continuously on an ordinary dance floor unsupported by a partner for that length of time.

Nearly all ended on the moment in a twitchy collapse, and the next most inspired prostrated himself and began his dance with the characteristic somersault. Death was being continuously besought to follow the footsteps of John Doc. There was no regular formula. They all "talked to him" in their own way, the others calling out to the dancer to "talk to him." Some of the postures were obscene in the extreme. Some were grotesque, limping steps of old men and women. Some were mere agile leapings. But the faces! That is where the dedication lay.

When the fourth dancer had finished and lay upon the floor retching in every muscle, Kitty was taken. The call had come for her. I could not get upon the floor quickly enough for the others and was hurled before the altar. It got me there and I danced, I don't know how, but at any rate, when we sat about the table later, all agreed that Mother Kitty had done well to take me.

I have neglected to say that one or two of the dancers remained upon the floor "in the spirit" after their dance and had to be lifted up and revived at the end.

Death had some of all the food placed before him. An uncorked pint of good whiskey was right under his nose. He was paid fifteen cents and remained on his throne until one o'clock that night. Then all of the food before him was taken up with the tablecloth on which it rested and was thrown into the Mississippi River.

The person danced upon is not supposed to live more than nine days after the dance. I was very eager to see what would happen in this case. But five days after the dance John Doe deserted his bride for the comforting arms of Rachael and she hurried to Mother Kitty to have the spell removed. She said he complained of breast pains and she was fearfully afraid for him. So I was sent to get the beef heart out of the cemetery (which had been put there as part of the routine), and John and Rachael made use of the new furniture bought for his bride. I think he feared that Rachael might have him fixed, so he probably fled to her as soon as the zest for a new wife had abated.

Kitty began by teaching me various ways of bringing back a man or woman who had left his or her mate. She had plenty to work on, too. In love cases the client is often told what to do at home. Minnie Foster was the best customer Kitty had. She wanted something for every little failing in her lover.

Kitty said to her one day, "You must be skeered of yourself with that man of yours."

"No, Ma'am, I ain't. But I love him and I just want to make sure. Just you give me something to make his love more stronger."

"Alright, Minnie, I'll do it, but you ain't got no reason to be so unsettled with me behind you. Do like I say and you'll be alright.

"Use six red candles. Stick sixty pins in each candle?thirty on each side. Write the name of your sweetheart three times on a small square of paper and stick it underneath the candle. Burn one of these prepared candles each night for six nights. Make six slips of paper and write the name of the loved one once on each slip. Then put a pin in the paper on all four sides of the name. Each morning take up the sixty pins left from the burning of the candles, and save them. Then smoke .the slip of paper with the four pins in it in incense smoke and bury it with the pins under your door step. The piece of paper with the name written on it three times, upon which each candle stands while burning, must be kept each day until the last candle is burned. Then bury it in the same hole with the rest. When you are sticking the pins in the candles, keep repeating: 'Tumba Walla, Bumba Walla, bring Gabe Staggers back to me."'

Minnie paid her five dollars, thanked her loudly and hurried off to tighten the love?shackles on her Gabriel. But the following week she was back again.

"Ain't you got dat man to you wishes, yet, Minnie?" Kitty asked, half in fim and half in impatience.

"He love me, I b'licve, but he gone off to Mobile with a construction gang and I got skeered he might not come back. Something might delay him on his trip."

"Oh, alright Minnie, go do like I say and he'll sure be back. Write the name of the absent party six times on paper. Put the paper in a water glass with two tablespoons fiddle of quicksilver on it. Write his or her name three times each on six candles and burn one on a window sill in the daytime for six days."

Minnie paid and went home, but a week later she was back, washed down in tears. So Kitty gave her a stronger help.

"This is bound to bring him. Can't help it, Minnie. Now go home and stop fretting and do this:

"Write his name three times. Dig a hole in the ground. Get a left?foot soiled?sock from him secretly. His hatband may be used also. Put the paper with the name in the hole first. Then the sock or hatband. Then light a red candle on top of it all and burn it. Put a spray of Sweet Basil in a glass of water beside the candle. Light the candle at noon and burn until one. Light it again at six P. m. and burn till seven. (Always pinch out a candle?nevcr blow it.) After the candle is lit, turn a barrel over the hole. When you get it in place, knock on it three times to call the spirit and say: 'Tumba Walla, Bumba Walla, bring Gabriel Staggers home to me."'

We saw nothing of Minnie for six weeks, then she came in another storm of tears.

"Miss Kitty, Gabriel done got to de place I can't tell him his eye is black. What can I do to rule de man I love?"

"Do like I say, honey, and you can rule. Get his sock. Take one silver dime, some hair from his head or his hatband. Lay the sock out on a table, bottom up. Write his name three times and put it on the sock. Place the dime on the name and the hair or hatband on the dime. Put a piece of 'he' Lodestone' on top of the hair and sprinkle it with steel dust. As you do this, say, 'Feed the he, feed the she.' That is what you call feeding the Lodestone. Then fold the sock heel on the toe and roll it all up together, tight. Pin the bundle by crossing two needles. Then wet it with whiskey and set it up over a door. And don't 'low him to go off no more, do you going to lose all control.

"Now listen, honey, this is the way to change a man's mind about going away: Take the left shoe, set it up straight, then roll it one?half over first to the right, then to the left. Roll it to a coming?in door and point it straight in the door, and he can't leave. Hatband or sock can be made into a ball and rolled the same way: but it must be put under the sill or over the door."

Once Sis Cat got hongry and caught herself a rat and set herself down to eat 'im. Rat tried and tried to git loose but Sis Cat was too fast and strong. So jus' as de cat started to eat 'im he says, "Hol' on dere, Sis Cat! Ain't you got no manners atall? You going set up to de table and eat 'thout washing yo' face and hands?"

Sis Cat was mighty hongry but she hate for de rat to think she ain't got no manners, so she went to de water and washed her face and hands and when she got back de rat was gone.

So de cat caught herself a rat again and set down to cat. So de Rat said, "Where's yo' manners at, Sis Cat? You going to eat 'thout washing yo' face and hands?"

"Oh, Ah got plenty manners," de cat told 'im. "But Ah cats mah dinner and washes mah face and uses mah manners afterwards." So she et right on 'im and washed her face and hands. And cat's been washin' after eatin' ever since.

I'm sitting here like Sis Cat, washing my face and usin' my manners.