Web Sites

Blankenship, Tiska. Women Artists of the American West: Agnes Pelton and Florence Miller Pierce, The Two Women Artists of the Trancendental Painting Group.

Zwick, Jim. Rev. of Savage Acts: Wars, Fairs and Empire, by American Social History Project. H-AmStdy. 7 November 1995.


Adams, Philip Rhys. Walt Kuhn, Painter: His Life and Work. Columbus: Ohio State University Press, 1978.

Altshuler, Bruce. The Avant-Garde in Exhibition: New Art in the 20th Century. New York: Harry N. Abrams, 1994.

Apollinaire, Guillaume. The Cubist Painters: Aesthetic Meditations. New York: Wittenborn, Schultz, 1949.

Apter, Eleanor S. "Regimes of Coincidence: Katherine S. Dreier, Marcel Duchamp, and Dada."Sawelson-Gorse 362-413.

Bancroft, Hubert Howe. The Book of the Fair. Chicago: The Bancroft Company, 1893.

Becker, Stephen. Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons and Animated Cartoons. New York: Simon and Schuster, 1959.

Behr, Schlamith. Women Expressionists. New York: Rizzoli International Publications, 1988.

Bell, Clive. Art. New York: F. A. Stokes, 1913.

Benjamin, Roger. "Fauves in the Landscape of Criticism: Metaphor and Scandal at the Salon. The Fauve Landscape. Ed. Judi Freeman. Los Angeles: LA County Museum of Art, 1990. 241-268.

Berlo, Janet Catherine. Introduction: the Formative Years of Native American Art History. Berlo 1-21.

Berlo, Janet Catherine, ed. The Early Years of Native American Art History: The Politics of Scholarship and Collecting. Seattle: University of Washington Press, 1992.

Bishop, Edward. "Re:Covering Modernism—Format and Function in the Little Magazines." Modernist Writers and the Marketplace. Ed. Ian Willison, Warwick Gould, and Warren Chernaik. New York: St. Martin's Press, 1996.

Bjelejac, David. American Art: a Cultural History. New York: H.N. Abrams, 2001.

Blackmer, Corrine E. "Selling Taboo Subjects: The Literary Commerce of Gertrude Stein and Carl Van Vechten." Marketing Modernisms: Self-Promotion, Canonization, Rereading. Ed. Kevin J. H. Dettmar and Stephen Watt. Ann Arbor: The University of Michigan Press, 1996.

Bohn, Willard. "Visualizing Women in 291." Sawelson-Gorse 240-261.

Bohan, Ruth L. The Société Anonyme's Brooklyn Exhibition: Katherine Dreier and Modernism in America. Ann Arbor, Mich.: UMI Research Press, 1982.

Bourdieu, Pierre. The Field of Cultural Production: Essays on Art and Literature. New York: Columbia University Press, 1993.

Breeskin, Adelyn Dohme. Anne Goldthwaite: A Catalogue Raisonne of the Graphic Work. Montgomery: Montgomery Museum of Fine Arts, 1982.

Broun, Elizabeth. Forward. Zurier, Snyder, and Mecklenburg 7-9.

Brown, Milton. American Painting from the Armory Show to the Depression. Princeton: Princeton University Press, 1955.

- - -. The Story of the Armory Show. New York: The Joseph H. Hirshhorn Foundation, 1988.

Bürger, Peter. Theory of the Avant-Garde. Minneapolis: University of Minnesota Press, 1984.

Burke, Carolyn. Becoming Modern: the Life of Mina Loy. New York: Farrar, Straus and Giroux, 1996.

Cahill, Holger. Introduction. American Sources of Modern Art. New York: MOMA, 1933.

Chadwick, Whitney. Women, Art, and Society. London: Thames & Hudson, 1996.

Chave, Anna C. "Who will paint New York? The World's New Art Center and the New York Paintings of Georgia O'Keefe." Critical Issues in American Art: a Book of Readings. Ed. Mary Ann Calo. Boulder, Colo.: Westview Press, 1997.

Clark, Eliot. History of the National Academy of Design: 1825-1953. New York: Columbia University Press, 1954.

Clark, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton, N.J.: Princeton University Press, 1999.

Cohodas, Marvin. "Louisa Keyser and the Cohns: Mythmaking and Basket Making in the American West." Berlo 88-133.

Coke, Van Deren. Andrew Dasburg. Albuquerque: University of New Mexico Press, 1979.

Conn, Steven. Museums and American Intellectual Life, 1876-1926. Chicago: University of Chicago Press, 1998.

Connelly, Frances S. The Sleep of Reason: Primitivism in Modern European Art and Aesthetics, 1725-1907. University Park, Pennsylvania: Penn State University Press, 1995.

Craven, Wayne. Sculpture in America. New York: Thomas Crowell Company, 1968.

Curtis, Natalie, ed. The Indians' Book: An Offering by the American Indians of Indian Lore, Musical and Narrative, to Form a Record of the Songs and Legends of Their Race. New York: Harper and Brothers, 1923.

Davidson, Abraham A. Early American Modernist Painting, 1910-1935. New York: Harper and Row, 1981.

Dilworth, Leah. Imagining Indians in the Southwest: Persistent Visions of a Primitive Past. Washington, D.C.: Smithsonian Institution Press, 1996.

Douglas, George H. The Smart Magazines: 50 Years of Literary Revelry and High Jinks at Vanity Fair, the New Yorker, Life, Esquire, and the Smart Set. Hamden, Conn.: Archon Books, 1991.

Dreier, Katherine. Three Lectures on Modern Art. New York: The Philosophical Library, 1949.

Du Bois, Guy Pene. Artists Say the Silliest Things. New York: American Artists Group, Inc., 1940.

Dunlop, Ian. The Shock of the New: Seven Historic Exhibitions of Modern Art. New York: American Heritage Press, 1972.

Eldredge, Charles C., Julie Schimmel, and William H. Truettner. Art in New Mexico, 1900-1945: Paths to Taos and Santa Fe. Washington, D.C.: National Museum of American Art, Smithsonian Institution, 1986.

Fitzgerald, Richard. Art and Politics: Cartoonists of the Masses and the Liberator. London: Greenwood Press, 1973.

Fort, Ilene Susan. The Figure in American Sculpture: a Question of Modernity. Los Angeles: Los Angeles County Museum of Art in association with University of Washington Press, 1995.

Gauguin, Paul. Extracts from Noa Noa. Trans. Walter Kuhn. New York: Vreeland Advertising Press, 1913. Rpt. in The Armory Show: International Exhibition of Modern Art 1913, vol. 2. New York: Arno Press, 1972.

Gaze, Delia, ed. Dictionary of Women Artists. Chicago: Fitzroy Dearborn Publishers, 1997.

Gee, Malcom. Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market Between 1910 and 1930. New York: Garland Publishing, 1981.

Gere, Charlotte, and Marina Vaizey. Great Women Collectors. New York: Harry N. Abrams, 1999.

Green, Martin. New York 1913: The Armory Show and the Paterson Strike Pageant. New York: Charles Scribner's and Sons, 1988.

Hale, Nancy. Mary Cassatt. Garden City, NY: Doubleday, 1975.

Hall, Donald, and Pat Corrington Wykes. Anecdotes of Modern Art: From Rousseau to Warhol. New York: Oxford University Press, 1990.

Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge University Press, 1994.

Hartley, Marsden. Adventures in the Arts: Informal Chapters on Painters, Vaudeville and Poets. New York: Boni and Liveright, 1921.

Haskell, Barbara. Marsden Hartley. New York: New York University Press, 1980.

Heller, Jules, and Nancy G. Heller, eds. North American Women Artists of the Twentieth Century: a Biographical Dictionary. New York: Garland, 1995.

Herbert, Robert L., Eleanor S. Apter, and Elise K. Kenney, eds. The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonne. New Haven: Yale University Press, 1984.

Hills, Patricia. "John Sloan's Working-Class Women: A Case Study of the Roles and Interrelationships of Politics, Personality, and Patrons in the Development of Sloan's Art, 1905-16." Prospects 5 (1980): 7-19. Rpt. in Reading American Art. Ed. Marianne Doezema and Elizabeth Milroy. New Haven: Yale University Press, 1998.

Hoffman, Marilyn Friedman. Marguerite and William Zorach: The Cubist Years, 1915-1918. Manchester, N.H.: Currier Gallery of Art, 1987.

Homer, William Innes. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Artists, 1977.

- - -. Robert Henri and His Circle. Ithaca, NY: Cornell University Press, 1969.

Hokin, Jeanne. Pinnacles and Pyramids: The Art of Marsden Hartley. Albuquerque: University of New Mexico Press, 1993.

Howe, Winnifred E. History of the Metropolitan Museum of Art. New York: Arno Press, 1974.

Hyland, Douglas K. S. and Heather McPherson. Marie Laurencin: Artist and Muse. Birmingham, Ala.: Birmingham Museum of Art, 1989.

Januzzi, Marisa. "Dada Through the Looking Glass, or: Mina Loy's Objective." Sawelson-Gorse 578-613.

Jonaitis, Aldona. "Franz Boas, John Swanton, and the New Haida Sculpture at the American Museum of Natural History." Berlo 22-61.

Kahnweiler, Daniel Henry. My Galleries and My Painters. Paris: Gallimard-Idees, 1982.

Kandinsky, Wassily. Concerning the Spiritual in Art. Trans. M. T. H. Sadler. New York: Dover Publications, 1977.

Katz, Leo. Understanding Modern Art: An Interpretation of the Historical, Psychological, Philosophical, and Scientific Backgrounds of Modern Art. Chicago: Delphian Society, 1936.

Kelder, Diane, ed. Stuart Davis. New York: Praeger, 1971.

Kuhn, Walter. The Story of the Armory Show. New York: Walt Kuhn, 1938.

Leavens, Ileana B. From "291" to Zurich: The Birth of Dada. Ann Arbor, Mich.: UMI Research Press, 1983.

Levin, Gail. "The Changing Status of American Women Artist, 1900-1930." American Women Artists: 1830-1930. Ed. Eleanor Tufts. Washington, D.C.: The National Museum of Women in the Arts, 1987. 13-16.

Levin, Gail and Marianne Lorenz. Theme and Improvisation: Kandinsky and the American Avant-Garde, 1912-1950. Boston: Little, Brown, and Co., 1992.

Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press, 1988.

Ludington, Townsend. Marsden Hartley: The Biography of an American Artist. Boston: Little, Brown, and Co., 1992.

Luhan, Mabel Dodge. Movers and Shakers. New York: Harcourt, Brace, and Company, 1936.

McCoubrey, John W. American Art, 1700-1960: Sources and Documents. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1965.

MacGowan, Christopher J. William Carlos Williams' Early Poetry: The Visual Arts Background. Ann Arbor: UMI Research Press, 1984.

McLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.

McLoughlin, Moira. "Negotiating the Critical Discourse: The Armory Show Revisited." On the Margins of Art Worlds. Ed. Larry Gross. San Francisco: Westview Press, 1995. 17-38.

Marlor, Clark S. The Society of Independent Artists Exhibition Record, 1917-1944. Park Ridge, New Jersey: Noyes Press, 1984.

Mecklenburg, Virginia M. "Manufacturing Rebellion: The Ashcan Artists and the Press." Zurier, Snyder, and Mecklenburg 191-214.

Mellow, James R. Charmed Circle: Gertrude Stein and Company. New York: Avon Books, 1974.

Moffatt, Frederick C. "Composition." Arthur Wesley Dow, 1857-1922: His Art and His Influence. New York: Spanierman Gallery, 1999. 38-43.

Munson-Williams-Proctor Institute. 1913 Armory Show: 50th Anniversary Exhibition, 1963. Utica: Munson-Williams-Proctor Institute, 1963.

Naumann, Francis. Walter Conrad Arensberg: Poet, Patron, and Participant in the New York Avant-Garde, 1915-1920. Philadelphia: Philadelphia Museum of Art, 1980.

- - - . New York Dada: 1915-1923. New York: Abrams, 1994.

Olsen, Arlene R. Art Critics and the Avant-Garde: New York, 1900-1913. Ann Arbor, Michigan: UMI Research Press, 1980.

Ozenfant, Amédée. Foundations of Modern Art. Trans. John Rodker. New York: Brewer, Warren and Putnam, 1931.

Pach, Walter. Queer Thing, Painting. New York: Harper & Brothers, 1971.

Perlman, Bennard B. The Lives, Loves, and Art of Arthur B. Davies. Albany, NY: State University of New York Press, 1998.

- - -. Robert Henri: His Life and Art. New York: Dover Publications, Inc., 1991.

Perry, Gill. "Primitivism and the 'Modern.'" Primitivism, Cubism, Abstraction: The Early Twentieth Century. Ed. Charles Harrison, Francis Frascina, and Gill Perry. London: Yale University Press, 1993. 3-86.

- - - . Women Artists and the Parisian Avant-Garde: Modernism and 'Feminine' Art, 1900 to the Late 1920s. New York: Manchester University Press, 1995.

Piland, Sherry, ed. Women Artists: An Historical, Contemporary, and Femininst Bibliography. London: The Scarecrow Press, 1994.

Platt, Susan Noyes. Modernism in the 1920s: Interpretations of Modern Art in New York From Expressionism to Constructivism. Ann Arbor, Mich.: UMI Research Press, 1985.

Poggioli, Renato . The Theory of the Avant-Garde. Cambridge, Mass.: Belknap Press of Harvard University Press, 1968.

Rado, Lisa. "Primitivism, Modernism and Matriarchy." Modernism, Gender and Culture: A Cultural Studies Approach. Ed. Lisa Rado. New York: Garland Publishing, Inc., 1997.

Rewald, John. Cézanne and America: Dealers, Collectors, Artists and Critics, 1891-1921. Princeton, N.J.: Princeton University Press, 1989.

Rhodes, Colin. Primitivism and Modern Art. New York: Thames and Hudson, 1994.

Richardson, Edgar Preston. The Way of Western Art: 1776-1914. Cambridge, Mass.: Harvard University Press 1939.

Richardson, Joan. Wallace Stevens. New York: Beech Tree Books, 1986-1988.

Robins, Anna Gruetzner. Modern Art in Britain, 1910-1914. London: Merrell Holberton in association with Barbican Art Gallery, 1997.

Rose, Barbara. American Art Since 1900: A Critical History. New York: Frederick A. Praeger, 1967.

- - -, ed. Readings in American Art: 1900-1975. New York: Praeger Publishers, 1968.

Rubinstein, Charlotte Streifer. American Women Artists from Early Indian Times to the Present. Boston: G. K. Hall and Company, 1982.

Rudnick, Lois Palken. Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture. Albuquerque: University of New Mexico Press, 1996.

Rushing, W. Jackson. Native American Art and the New York Avant-Garde: A History of Cultural Primitivism. Austin: University of Texas Press, 1995.

- - - . "Marketing the Affinity of the Primitive and the Modern: Rene d'Harnoncourt and 'Indian Art of the United States.'" Berlo 191-236.

Samaltanos, Katia. Appollinaire: Catalyst for Primitivism, Picabia, and Duchamp. Ann Arbor: UMI Research Press, 1984.

Sawelson-Gorse, Naomi. Women in Dada: Essays on Sex, Gender, and Identity. Cambridge, Mass.: The MIT Press, 1998.

Schiebinger, Londa. Nature's Body: Gender in the Making of Modern Science. Boston: Beacon Press, 1993.

Schwartz, Constance. The Shock of Modernism in America: The Eight and Artists of the Armory Show. Roslyn Harbor, N.Y.: Nassau County Museum of Fine Art, 1984.

Shapiro, Meyer. Modern Art: 19th and 20th Centuries: Selected Papers. New York: George Braziller, 1978.

Sloan, John. Introduction to American Indian Art. New York: The Exposition of Tribal Arts, 1931.

Sparrow, W. Shaw. Women Painters of the World. London: Hodder and Stoughton, 1905.

Stansky, Peter. On or About December 1910: Early Bloomsbury and its Intimate World. Cambridge, Mass.: Harvard University Press, 1996.

Stein, Gertrude. The Selected Writings of Gertrude Stein. Ed. Carl Van Vechten. New York: Vintage Books, 1990.

Sweet, Frederick A. Miss Mary Cassatt, Impressionist from Pennsylvania. Norman: University of Oklahoma Press, 1966.

Tarbell, Roberta. Marguerite Zorach: The Early Years, 1908-1920. Washington: Published for the National Collection of Fine Arts by the Smithsonian Institution Press, 1973.

- - - . "Impact of Vanguard Exhibitions in Paris and New York, 1908-1929." Vanguard American Sculpture, 1913-1939. Ed. Joan M. Marter, Roberta K. Tarbell, and Jeffrey Wechsler. New Brunswick, N.J. : Rutgers University, 1979. 7-20.

Terrell, Carroll F. William Carlos Williams: Man and Poet. Orono, Me.: National Poetry Foundation, University of Maine at Orono, 1983.

Trachtenberg, Alan. "Image and Ideology: New York in the Photographer's Eye." Journal of Urban History. 10 (1984): 453-64. Rpt. in Reading American Art. Ed. Marianne Doezema and Elizabeth Milroy. New Haven: Yale University Press, 1998. 302-310.

Udall, Sharyn Rohlfsen, and Andrew Connors. "Artist Biographies." Eldredge, Schimmel, and Truettner.

Van Vechten, Carl. Peter Whiffle: His Life and Works. New York: Alfred A. Knopf, 1927.

Vitale, Joseph G. There's a Customer Born Every Minute: P.T. Barnum's Secrets to Business Success. New York: AMACOM, 1998.

Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market. London: Vintage Books, 1992.

Watson, Steven. Strange Bedfellows: The First American Avant-Garde. New York: Abbeville Press, 1991.

Weaver, Jane Calhoun, ed. Sadakichi Hartmann: Critical Modernist (Collected Art Writings). Berkeley: University of California Press, 1991.

Whelan, Richard. Alfred Stieglitz: A Biography. Boston: Little, Brown, & Co., 1995.

Williams, William Carlos. The Autobiography of William Carlos Williams. New York: Random House, 1948.

Zurier, Rebecca. "The Making of Six New York Artists." Zurier, Snyder, and Mecklenburg 59-85.

Zurier, Rebecca, Robert W. Snyder, and Virginia M. Mecklenburg. Metropolitan Lives: The Ashcan Artist and their New York. New York: W. W. Norton & Company, 1995.


Frederick James Gregg, ed. For and Against: Views on the International Exhibition Held in New York and Chicago New York: Association of American Painters and Sculptors, 1913.

Laurvik, J. Nilsen. Is it Art? Post Impressionism, Futurism, Cubism. New York: The International Press, 1913.

Petruck, Peninah R. Y. American Art Criticism: 1910-1939. Diss. New York University, 1979. New York: Garland Publishing, 1981.

Magazine and Journal Articles

—From 1913—

Aisen, Maurice. "The Latest Evolution in Art and Picabia." Spec. issue of Camera Work Apr.-July 1913: 14-21.

Bluemner, Oscar. "Audiator et Altera Pars: Some Plain Sense on the Modern Art Movement." Spec. issue of Camera Work Apr.-July 1913: 25-38.

Brinton, Christian. "Evolution not Revolution in Art." The International Studio Apr. 1913: 17-35.

Buffet, Gabriele. "Modern Art and the Public." Spec. issue of Camera Work Apr.-July 1913: 10-14.

Cox, Kenyon. "The Illusion of Progress." The Century Magazine Mar. 1913: 39-43.

- - - . "The 'Modern' Spirit in Art: Some Reflections Inspired by the Recent International Exhibition." Harper's Weekly 15 March 1913: 10.

The Dial June 1913.

Dodge, Mabel. "Speculations." Arts and Decoration Mar. 1913.

Fisher, William Murrell. "Sculpture at the Exhibition." Arts and Decoration Mar. 1913: 168-171.

Glackens, William J. "The American Section (The National Art): An Interview with the Chairman of the Domestic Committee, William J. Glackens." Arts and Decoration Mar. 1913: 159-164.

Gregg, Frederick James. "The Attitude of the Americans." Arts and Decoration Mar. 1913: 165-167.

- - - . "The Extremists: An Interview with Jo Davidson." Arts and Decoration Mar. 1913: 170-171, 180.

- - - . "Remarkable Art Show: The International Exhibition." Harpers Weekly 15 Feb. 1913: 13-15.

Hapgood, Hutchins. "Art and Unrest." New York Globe. Rpt. in Camera Work Mar. 1913: 43-44.

- - - . "A Paris Painter." New York Globe. Rpt. in Camera Work Mar. 1913: 49-51.

- - - . "The Picture Show." New York Globe. Rpt. in Camera Work Mar. 1913: 44-46.

Hartmann, Sadakichi. "The American Picture World, Its Shows and Shams." Forum July-Dec. 1910.

MacChesney, Clara T. "Famous French Artist, Whose Canvases Are One of the Features of the International Exhibition Here, Tells of His Theories and Work." New York Times Magazine 9 March 1913.

"Post-Impressionism Again." The Nation 29 March 1913.

Quinn, John. "Modern Art from a Layman's Point of View." Arts and Decoration. Mar. 1913: 155-158.

Roosevelt, Theodore. "A Layman's Point of View." The Outlook 29 Mar. 1913: 718-720.

- - - . "Across the Navajo Desert." The Outlook 11 Oct. 1913.

- - - . "The Hopi Snake Dance." The Outlook 18 Oct. 1913.

Street, Julian. "Why I Became a Cubist." Everybody's Magazine Mar. 1913: 814-825.

Swift, Samuel. "Art Photographs and Cubist Painting." New York Sun. Rpt. in Camera Work Mar. 1913: 46-47.

Tridon, Andre. "The Exhibition of the Independents." The New Review: 347.

Weichsel, John. "Cosmism or Amorphism." Camera Work Mar. 1913: 69-82.

- - - . "The Rampant Zeitgeist." Camera Work Oct. 1913: 20-26.

—Subsequent Articles—

Boswell, Peyton. Untitled. New York Herald. Rpt. in Camera Work Oct. 1916: 18.

Carey, Elizabeth. "Casual Impressions of Modernism." American Magazine of Art Aug. 1930: 425.

- - - . Untitled. New York Times. Rpt. in Camera Work Oct. 1916: 19.

Casteras, Susan P. "Abastenia St. Leger Eberle's White Slave." Women's Art Journal 7.1 (1986): 32-36.

Crowninshield, Frank. "The 1913 Armory Show." Vogue 15 Sept. 1940: 69-71; 114-116.

Curtis, Natalie. "Mr. Roosevelt and Indian Music." The Outlook 15 Mar. 1919.

- - - . "Theodore Roosevelt in Hopi-Land." The Outlook 17 Sept. 1919.

Defries, A. D. "Anne Goldthwaite as a Portrait Painter." International Studio July 1916: 3-8.

Duerden, Dennis. "The 'Discovery' of the African Mask." Research in African Literatures 31.4 (2000).

Graham, Julie. "American Women Artists' Groups: 1867-1930" Women's Art Journal 1.1 (1980): 7-11.

Hoeber, Arthur. Untitled. New York Globe. Rpt. in Camera Work Oct. 1916: 18-19.

Mancini, JoAnne. "'One Term is a Fatuous as Another:' Responses to the Armory Show Reconsidered." American Quarterly 51: 833-870.

Martinez, Andrew. "A Mixed Reception for Modernism: The 1913 Armory Show at the Art Institute of Chicago."Museum Studies 19: 30.

Myer, Agnes. Untitled. Camera Work Oct. 1916: 8-9. Nadelman, Cynthia. "Broken Promises: 'Primitivism' at MoMA." Art News vol. 84, no. 1 (1985): 90.

Naumann, Francis M. "A Lost American Futurist." Art in America. April 1994: 104.

Reisdorfer, Kathryn. "Arizona History through Art." American Art Review X88.2 (2000): 194-205.

Rhoades, Katharine. "There is Always a 'More'—a Greater Vision—a Greater Realization." Camera Work July 1914: 55-57.

Sandell, Renee. "Marie Laurencin: Cubist Muse or More?" Women's Art Journal 1.1 (1980): 23-27.

Sheon, Aaron. "1913: Forgotten Cubist Exhibitions in America." Arts Magazine Mar. 1983: 93-107.

Stevens, Frances Simpson. Untitled. Camera Work July 1914: 30.

Michael Zakian. "Agnes Pelton: Poet of Nature." American Art Review Aug. 1996: 138-143.


Archives of American Art. Records of Walt Kuhn, 1911-1914 (REELS D72-D73). Washington, D.C.: Smithsonian Institution, 1962-1979.

The New York Times

Alexander, John. 19 September 1910: 4.

"Letter." 3 January 1911.

8 December 1912.

7 April 1912: V, 14.

"Next Month's Exhibition of the AAPS Especially Interesting as an Indication of National Progress in Creative Art." 5 January 1913.

"Modern Art: The International Exhibition." 16 February 1913.

Cox, Kenyon. "Cubists and Futurists are Making Insanity Pay." 16 March 1913: VI, 1

"Cubists of All Sorts." 16 March 1913.

"American Pictures at the International Exhibition Show Influence of Modern Foreign Schools." 2 March 1913: 15.

"Art Notes." 17 February 1913.

"History of Modern Art at the International Exhibition Illustrated by Paintings and Sculpture." 22 February 1913.

Cortissoz, Royal. 19 October 1913: V, 15.